Learning the optical stutter | Creating a visual grammar of equality
Profiling: Frances Leeming's film Genetic Admiration (2005) Considering: The biological-interior The genetic-imaginary Reproduction...
Articulating the hyperreal body: bio-power, “science”, and the propositional human
Considering: Mona Hatoum's Deep Throat The biological-interior De-subjectification via hyperreality The experiment Cosmetic surgery as...
Fragmenting wholes
Considering: Martha Graham and contraction; touch; trauma; relational architectures; fragmentation; politics of technology via gender...
Freedom through ambiguity, she asks?
Mary Wigman's Hexentanz (Witch Dance), 1921
